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Print the Legend: Photography and the American West, by Martha A. Sandweiss
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This volume tells the intertwined stories of photography and the American West - a new medium and a new place that came of age together in the 19th century. The story begins just a few years after the invention of the daguerreotype in 1839, as pioneering photographers followed American troops into the Mexican-American War. Taking advantage of rapidly developing technology, photographers soon set out across the overland trails, recorded the shifting fortunes of California's goldseekers, pictured native peoples, and documented the spectacular topography of the American West. The new medium of photography made vivid a landscape few Americans had seen for themselves. Resurrecting scores of little-known images of the 19th-century American West, this volume presents tales of ambitious photographic adventurers, missing photographs, and misinterpreted images. Chronicling both the history of a place and the history of a medium, it portrays how Americans first came to understand western photographs and, consequently, to envision their expanding nation.
- Sales Rank: #427651 in Books
- Published on: 2002-10-01
- Original language: English
- Number of items: 1
- Dimensions: 1.25" h x 7.92" w x 9.72" l,
- Binding: Hardcover
- 416 pages
From Publishers Weekly
More a scholarly tome than the usual Ansel Adams, like coffee-table fixture, this study sets its dual focus on a new pictorial medium and the new distinctively American region of the 19th century. As the title suggests, it is no more about how the West really was than it is a simple compendium of lovely images. Sandweiss, a professor of history and American Studies at Amherst College, attempts a difficult balance of art and history, where photographs and social studies complement each other rather than compete for intellectual space. Time is on Sandweiss's side: as she shows, America's frontier narrative and the new art form did more or less rise up together. The book stakes its labors on the assumption that, even if the confluence is sheer chance, the influence can't help running both ways: photos helped make the West, and the art form was in turn shaped by the new needs of a newly shaped nation. Sandweiss is richly informative and thoughtful in recounting and reconsidering the times, no surprise for an editor of the excellent Oxford History of the American West. Her account of the cultural impact of the Spanish-American War is probing; the Native American history here is inclusive, surprising and subtle. It would be quite difficult to handle the photography with equal Elan, especially given the author's commitment to the significance of public photographs, in large part, fairly repetitive portraiture and Sandweiss's readings of pictures are rarely insightful, if sometimes usefully direct. As a result, the careful and thoughtful book will appeal less to students of photography than to those interested in the place and time, and how our image of it came together.
Copyright 2002 Reed Business Information, Inc.
Review
"Scholarly and enlightening." -- Betsy Friauf, Fort Worth (TX) Star-Telegram
. . . Sandweiss has written splendidly about the American West and an American craft and how the two evolved together. -- Elliot West, University of Arkansas
. . . [A] fascinating glimpse into the way photography helped shape our understanding of the American West. . . -- David L. Boren, President of the University of Oklahoma and former United States Senator
. . . [R]emarkable, compelling. . . No one writes about western photography with more grace and skill than Martha Sandweiss. -- James P. Ronda, Barnard Professor of Western American History, University of Tulsa
. . . [S]tunning. . . [A] major new history of photography that also provides. . . a richer, more insightful history of. . . the American West. -- Howard R. Lamar, Yale University
A sophisticated and engaging exploration of photography and the West...A really handsome work. -- James McWilliams, Austin (TX) Chronicle
An engrossing account. . . [of] the visual imagery of the West. . . A pioneering study and a readable story. -- Robert M. Utley, author of Lone Star Legend: The First Century of Texas Rangers
Engaging, insightful, . . . impressive. . . [T]his landmark book expands. . . our understanding of the American West and its visual representation. . . [A] superb accomplishment. -- Clyde A. Milner II, Executive Editor, Western Historical Quarterly
Lucidly written and extremely readable…This invaluable book…tackles the relatively new field of photographically illustrated books…Engaging. -- (Melissa Renn, In the Loupe)
Panoramic in its. . . . scope, narrative sequencing, and clarity of vision. . . . [A] truly remarkable book, written with. . . . grace. . . . [S]uperbly illustrated. . . . -- Michael Kammen, Reviews in American History
From the Publisher
Martha Sandweiss has won the OAH Ray Allen TBillington Prize for Print the Legend. The prize is given biennially by the Organization of American Historians for the best book in American frontier history.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Photography and the myths of the American west
By Bukkene Bruse
"Print the Legend" is an insightful study of the co-development of photography and the image of the American west. Sandweiss begins by discussing the limited uses of daguerrotypes as intermediaries for other forms of visual information in the context of the Mexican-American war and the unfolding western landscape. She goes on to show that as the technology of wet-plate photography developed, so did the direct use of supposedly objective photographs in building the mythology of the western United States. The chapter on photography and representations of American Indians was particularly strong and nuanced.
"Print the Legend" is recommended for anyone with an interest in early photography or western American history. But above all, I found it to be a deep examination of photography and photographic representation.
8 of 8 people found the following review helpful.
How the West was Spun
By Michael More
Heroic cowboys and savage Indians. Homes on the cozy range. Gold for the taking in them thar hills. Print the Legend shows how the first photos of the American West were cropped and captioned to embellish the stories and myths that drew the pioneers westward. Few historians write this gracefully, and Sandweiss's prize-winning scholarship is free from pedantic distractions. The engrossing section on photography and the American Indian is worth the price of this handsome. deliciously intelligent book.
--Michael More, Albuquerque Journal
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