Senin, 31 Desember 2012

[O577.Ebook] PDF Ebook Take Control of Your IBS: The Complete Guide to Managing Your Symptoms, by Peter Whorwell

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One in five adults suffer from IBS, yet IBS still baffles the medical profession as there are no definitive tests for it - it's often the diagnosis given in the absence of any positive tests. As such, it encompasses a huge variety of gastrointestinal disorders and many suffers fail to get the treatment they need. Take Control of Your IBS brings together over thirty years of research at the busiest IBS clinic in the country and will serve to both educate the reader and provide proven treatment solutions, including more alternative approaches such as hypnotherapy. After reading this book, the reader will be equipped with a multi-faceted treatment strategy - the hallmark of Professor Whorwell's highly successful approach - and ready to engage beneficially with doctors.

  • Sales Rank: #1692569 in Books
  • Published on: 2017-01-05
  • Original language: English
  • Dimensions: 8.50" h x .47" w x 5.31" l, .66 pounds
  • Binding: Paperback
  • 160 pages

About the Author
Professor Whorwell is a World leading gastrointestinal expert. He has been undertaking research into IBS and other functional gastrointestinal disorders for over thirty years. His unit receives referrals from all over the UK and even abroad and he continues to personally see over 400 new patients a year and reviews a further 1000 patients annually.

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Kamis, 20 Desember 2012

[Y615.Ebook] Free PDF Creatureton Elementary (Creatureton Trilogy Book 1), by Anthony Paolucci

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Eighth grader Sally Salamander Squibly is the unfortunate progeny of a Vampiress and a Werewolf. Why unfortunate you ask? Because Sally was born completely normal. Life at Creatureton Elementary is a daily trial, a result of the physical and profound differences that separate poor Sally from her monster peers. Relentlessly taunted and bullied, she perseveres while seeking solace in her friendship with a human boy named Logan. Then one day, she is offered a chance to be like the other children, only on a much grander scale. The temptation of power is great, and Sally must choose between her sad but dignified life, and an opportunity to rise above the torment.

Will the results be everything that she had hoped for and anticipated? Then there is the matter of her parents' dark and troubled past, and the mysterious villain who may or may not be after young Sally…just waiting for her to embrace her true monster nature, and assume her powerful role by his side.

  • Sales Rank: #2180158 in eBooks
  • Published on: 2012-01-08
  • Released on: 2012-01-08
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
A Very Entertaining Read!
By Shmirshminia
This book was a fun and easy read. I would say this book is an enjoyable read for adults and young adults (boys and girls) alike. I was delighted the story took an imaginative approach on a day in the life of a young girl (surrounded by creatures). Although a magical/enchanting story, the book touches on some typical pre-teen issues kids experience. There is also an underlying mystery slowly unraveling throughout the book! I liked the main protagonist and was curious as to what other adventures she would encounter with her mysterious parents and unlikely best friend. A sequel would be a great for this storyline.

0 of 0 people found the following review helpful.
Not bad
By Abel
This was a decent story. The characters were interesting and has a pretty good story. This book is for younger teenagers .

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Minggu, 16 Desember 2012

[B461.Ebook] Ebook Download What Makes the Amazing X-Zylo Fly?, by David Landon Tarr

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If you like the X-Zylo(tm), you must have this book! The amazing X-Zylo(tm) has mystified everyone. It's been said that it even amazes NASA technology experts! Why all the excitement? Because this incredible flying cylinder can be thrown more than the length of a football field. Nearly anyone can do it but no one really know why. Until now. Now some very smart people at the Massachusetts Institute of Technology (M.I.T.) show how this toy shares principles of inertial navigation with naval warships, spy planes like the SR-71 Blackbird, and other high performance machines. Amaze yourself and your friends with this essential companion to the X-Zylo(tm) itself.

  • Sales Rank: #1728777 in Books
  • Brand: Brand: Columbia-Capstone
  • Published on: 2012-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .16" w x 5.51" l, .21 pounds
  • Binding: Paperback
  • 66 pages
Features
  • Used Book in Good Condition

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2 of 2 people found the following review helpful.
X-Zylo explained at last
By Coach
This book is for
three main audiences:

1) those who love playing with the X-Zylo (or other flying toys) and are curious about flight

2) gift giving as a companion to the actual X-Zylo toy (the book is priced very low to make this possible)

3) teachers and students of physics who would like to understand flight mechanics and create experiments of their own

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Jumat, 14 Desember 2012

[Q760.Ebook] Free PDF The Language of Literature InterActive Reader Plus with Additional Support Grade 10From McDougal Littell

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  • Sales Rank: #3429211 in Books
  • Published on: 2000
  • Number of items: 1
  • Binding: Paperback
  • 456 pages

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Sabtu, 08 Desember 2012

[I393.Ebook] Free Ebook Ecce Homo: How One Becomes What One Is; Revised Edition (Penguin Classics), by Friedrich Nietzsche

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Ecce Homo: How One Becomes What One Is; Revised Edition (Penguin Classics), by Friedrich Nietzsche

In late 1888, only weeks before his final collapse into madness, Nietzsche (1844-1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and then overcome - Schopenhauer, Wagner, Socrates, Christ - and predicts the cataclysmic impact of his 'forthcoming revelation of all values'. Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo gives the final, definitive expression to Nietzsche's main beliefs and is in every way his last testament.

  • Sales Rank: #323602 in Books
  • Published on: 1992-12-01
  • Released on: 1992-12-01
  • Original language: German
  • Number of items: 1
  • Dimensions: 7.80" h x .40" w x 5.10" l, .24 pounds
  • Binding: Paperback
  • 144 pages

Review
Libro desconcertante y enigmatico, escrito en circunstancias dramaticas --Los editores

Language Notes
Text: English, German (translation)

About the Author
Frederich Nietzsche (1844-1900) became the chair of classical philology at Basel University at the age of 24 until his bad health forced him to retire in 1879. He divorced himself from society until his final collapse in 1899 when he became insane. He died in 1900. R.J. Hollingdale translated 11 of Nietzsche's books and published 2 books about him.

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20 of 23 people found the following review helpful.
Portrait Of An Ubermensch
By A Customer
In Ecce Homo, Nietzsche, clocked in the overt convention of the critical autobiography, lashes out at the practice of divorcing art from action. He takes aim at the reification of the linguistic world, which he believes has grown at the expense of the pre-linguistic world and his quarrel is with those who use words to mediate their experiences in the world in order to deny their own heroic capabilities.
"Saying 'Yes' to life," says Nietzsche, "is its strangest and hardest problem; the will to life rejoicing over its inexhaustibility even in the sacrifice of its highest types--that is what I call Dionysian, that is what I understood as the bridge to the psychology of the tragic poet." This Dionysian status, he goes on to say, is not gained through "thumbing through books," but by suffering through experience and rejoicing in the vitality of living.
Nietzsche also writes, "In questions of decadence I am experienced." In this he intimates his own experience of life denial through words and his imagery compares intellectual endeavors with physical conditions, e.g. digestion.
"The German spirit," he says, "is an indigestion: it does not finish with anything." Nietzsche uses the human stomach as a metaphor of the reification of the linguistic world. The stomach digests food by breaking it down into its component parts, readily recognizable to physiology but having little to do with the original product.
An orange, after all is not just vitamin C. Furthermore, says Nietzsche, what the body cannot use is rejected as waste product. When disorders of the stomach occur, the body cannot distinguish between waste and nutrient and consequently it churns endlessly, causing distress to the entire organism. Nietzsche, himself, is not embarrassed by his experience of decadence but sees it as something which has given him a special sensitivity to the "signs of ascent and decline."
For Nietzsche, the world is a chaotic place, given order only by the imposition of human will. Humans, in this way, says Nietzsche, create something out of nothing. However, in the face of the "abyss," man creates and acts as if his creation is real, in such a manner as to allow himself the vital and joyous activity of affirming the very importance of his creation. The heroic figure then moves on towards greater acts of creation using each personal, willful creation as a stepping stone, not towards an ultimate goal, but towards other projects. Nietzsche tells us to beware of the organizing "idea" which "...leads back from side roads and wrong roads...as a means towards a whole." The endless road of "becoming" is traveled by a will which is excited and invigorated by its trip, enjoying its stops along the way, but which ultimately has no other purpose but to go further and further as the journey becomes more and more exhausting.
For Nietzsche, the battle is always emphasized over the goal. It is a simple matter, he tells us, to conquer that which is already beneath you. To move beyond that which is your equal is the real test of the will. This is the essential process of "overcoming" which leads one higher and higher, eventually reaching the experience of the "tragic." As the linguistic world becomes more and more complex, its position in relation to nothingness becomes more and more precarious. This situation threatens a fall of apocalyptic proportions, for it is necessary for the tragic aesthetic that there be a certain height to the descent. For Nietzsche, rejoicing in the sacrifice of the highest types is a key element in experiencing tragedy.
"...and whoever wants to be a creator in good and evil, must first be an annihilator and break values." Creation, according to Nietzsche presupposes the willingness to destroy. The order we impose upon the world is a constraint upon us when the time to overcome occurs, and at such times, the spirit of the Ubermensch is needed in order to decimate the linguistic constructs that we have come to depend upon. For original, creative activity to be allowed, there must be nothing available to plagiarize or react against. Nietzsche refers to this resignation in the face of the void as "Russian fatalism" which occurs when the individual no longer attempts to "...accept anything at all--to cease reacting altogether."
In the end, for Nietzsche, nobility of spirit is akin to a meniscus, relying on the tension created by contrasting nothingness with creation. It can tolerate very little unequal pressure; too much and it ruptures. And aesthetically pleasing life is to be sought in that in between area inaccessible to words or to action alone. Ironically, Nietzsche's severe philosophy seems to advocate a kind of moderation. For the truly heroic figure is valued for his ability to live a life in which he moderates the need for order with the desire for creative action. Standing between empowerment and dissolution, as he must, the hero, says Nietzsche, is as deserving of "songs of praise" as is any god.

8 of 8 people found the following review helpful.
Wonderful Self-Portrait
By Steiner
Nietzsche's literary addendum to his philosophical oeuvre is, at its root, a radically modern autobiography. Written weeks before his collapse into paralysis, these are the final reflections of cogency from this great thinker; the sections are indeed self-inflated and passionate, with titles like `Why I am So Wise,' and `Why I am So Clever,' etc. However, Nietzsche is finally dubious about his reputation and whether or not he will ever be truly understood. He insists that his name "will be associated with the memory of something tremendous," and indeed it would. His work sought to expose the power structures of old societies and to expose the moral systems of Christianity. Nietzsche's tone is eerily prophetic as he insists that "there will be wars the like of which no one has ever seen," his stylish prose rings of a bold yet hysterical urgency. However, at the foundation of Nietzsche's thought is one of the great and subtle tensions in philosophy, the idea that his negating and destroying are "conditions of saying Yes." This is the difficulty of Nietzsche, who is all too easily categorized as the "Will to Power" philosopher of the modern period. We are still catching up to his profound insight, and this self-analysis should be a window into his genius and original intentions.

13 of 15 people found the following review helpful.
If only all autobigraphies were like this...
By Hethur Suval
"Ecce Homo, on eof the supreme masterpieces of German prose, is perhaps the strangest 'autobiography' ever written"
"In late 1888, only four weeks before his final collapse into madness, Nietzsche (1844-1900) set out to trace his development as a tragic philosopher. He examines the heroes he has identified with, struggled against, and then overcome - Schopenhauer, Wagner, Christ - he predicts the cataclysmic impact of his forthcoming revaluation of all values, and he gives final, definitive expression to his main beliefs. Throughout he employs the range of exuberant but unsettling styles descibed in Michael Tanner's Introduction, 'the high spirits, the manic self-celebrations, the parodistic orgies', which blend with a far more elegiac voice in a way 'that is uniquely moving, especially when one knows that total and permanent breakdown was imminent.'"
Isn't this what we are looking for when we go to read an autbiography? Isn't this the spirit that those who choose to write their autobiographies are interested in? Nietzsche was definitley ahead of his time in this genre of prose...take a look at Martha Stewart and Oprah....

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Senin, 03 Desember 2012

[A751.Ebook] PDF Ebook Latin Sentence and Idiom: A Composition Course (Latin Language) (English and Latin Edition), by R. Colebourn

PDF Ebook Latin Sentence and Idiom: A Composition Course (Latin Language) (English and Latin Edition), by R. Colebourn

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Latin Sentence and Idiom: A Composition Course (Latin Language) (English and Latin Edition), by R. Colebourn

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Latin Sentence and Idiom: A Composition Course (Latin Language) (English and Latin Edition), by R. Colebourn

Colebourn's Latin Sentence and Idiom: A Composition Course is a classic textbook for the intermediate and advanced student of Latin.
Unfolding the logical, rational basis of the language, the structure of the book is planned to help the student learn to read and write Latin as fluently as possible. Grammatical constructions are carefully introduced, with clear but thorough explanations throughout and are complemented by regular exercises.
Chapter summaries recap the chief grammatical constructions and revision exercises at frequent intervals help reinforce the student's learning.
The book includes sixty passages of prose composition, graded in difficulty, length and vocabulary, and arranged in two series according to complexity. The passages are preceded by advice on prose-writing and alternate passages are fully annotated with aids and references.

  • Sales Rank: #1182585 in Books
  • Brand: Brand: Bristol Classical Press
  • Published on: 1987
  • Released on: 1991-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .61" w x 5.50" l, .69 pounds
  • Binding: Paperback
  • 282 pages
Features
  • Used Book in Good Condition

About the Author

Ronald Colebourn taught at Taunton's grammar school, Southampton, UK.

Most helpful customer reviews

8 of 10 people found the following review helpful.
This book hurts my eyes.
By D. Vader
This book is a bad photographic copy of an earlier edition. The text is blurred. Superscript numbers (for footnotes) are completely unreadible. The only way to tell which footnote goes with which superscript is by counting them! Shame on Bristol Classical Press for publishing such an assault on the eyeballs.

As for the contents of the book--you need to be an advanced student of Latin to get much out of (a decent edition of) this book. There are too many rules and too few examples for beginners.

3 of 3 people found the following review helpful.
This book teaches Latin well!
By Iunipera
I had a great experience with this book but I also was led through it by a very learned Jesuit who would have me do a set of exercises and then correct my mistakes. This book gave me a great foundation for the grammar. Had I not done this book my subsequent experiences in Latin would not have been so successful.

This, however, is not a self-learning textbook. No key exists (and even if it did, it would not be complete).

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Minggu, 02 Desember 2012

[E781.Ebook] Free PDF How to Build a Great Screenplay, by David Howard

Free PDF How to Build a Great Screenplay, by David Howard

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How to Build a Great Screenplay, by David Howard

Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of:

* characterization
* story arc
* plotting and subplotting
* dealing with coincidence in story plotting
* classical vs. revolutionary screenplay structure
* tone, style, and atmosphere
* the use of time on screen
* the creation of drama and tension
* crucial moments in storytelling

Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.

  • Sales Rank: #5968271 in Books
  • Published on: 2005-10-13
  • Format: Import
  • Original language: English
  • Dimensions: 1.34" h x 8.50" w x 5.39" l, 1.05 pounds
  • Binding: Paperback
  • 464 pages

Review

“How to Build a Great Screenplay” is insightful, riveting, clear, concise and to the point. It’s a screenwriter’s screenwriting book packed with practical as well as theoretical insights. If you’re serious about screenwriting -- start here, and if you’re a twenty-year veteran, this is the place to take a refresher course. I came away from reading this book inspired with a renewed sense of purpose on why I write screenplays. This isn’t a book -- it’s an education!” ―Jack Epps Jr., screenwriter Top Gun, Dick Tracy, Turner & Hooch, The Secret of My Success, and Legal Eagles.

“David Howard's How To Build A Great Screenplay is a rarity - not merely a 'how to' guide, but the most comprehensive and thoughtful examination of storytelling, and as close to an entire graduate writing program, as one is likely to find within the covers of a single book.
” ―Adam Belanoff, writer and producer on Cosby and Murphy Brown, and writer on Wings

About the Author

David Howard is the founding director of the graduate screenwriting program at USC, where he teaches various courses in screenwriting. His students have scripted such successful films as The Hand That Rocks the Cradle, Air Force One, Permanent Midnight, and Natural Born Killers. The coauthor (with Edward Mabley) of The Tools of Screenwriting, he lives in Los Angeles, California.

Most helpful customer reviews

17 of 24 people found the following review helpful.
This is THE Screenwriting Book, bar none.
By Jeffrey L. Armbruster
This book is a 2 semester, graduate course in screenplay writing. It is the best in print. To cover so much material in a single book is amazing, and a first. Supplement it with "Advanced Writing" by Wells Draughon, "Writing a Great Movie," by Jeff Kitchen, and "Screenwriting" by Paul Gulino, and you have everything you need to write a superb screenplay. "How to Build a Great Screenplay" can stand on its own. The others will help you control your story to get every bit of energy into making a taut story. But the breadth of Howard's book stands head-and-shoulders above everything else in print. An amazing book. Thank you, David Howard. A superb book!

12 of 19 people found the following review helpful.
Good book.
By Interrupt
This book covers a lot of info; however, it seems as if some of it could be wittled away and the core of the book would still be intact. Also it seems to reference his other book way to much.

36 of 61 people found the following review helpful.
Could've been a 1 page pamphlet instead of a book!
By R. Colon
After reading this long book filled with filler words, nonsense rhetoric and uninspiring stories...I was so ANGRY, I felt there should be a law forcing How-to-book authors to include a chapter that actually synopsis and list what you will actually learn from their books... You can probably sum up what you will learn from this book in 1 to 2 pages.

Over 400 pages to say so little... I learned more about screenplay writing from "First Time Director..." by Gil Bettman than in this book.

Mr. Howard's book reminds me of those horrible college text books written by your college professors that you are forced to read. If Mr. Howard was to tell you how to input a book title on top to search for a book here in Amazon... he would probably take 3 chapters to do it.

By the time I got to page 401, I just had to laugh... He says, "You know you can't be boring for too long, and, ideally, you want to be far from boring; you want your stories to be exciting, riveting, can't-take-your-eyes-away thrilling." - Even that sentence shows how wordy he is. How these books get publish...? I have no idea! Reminds me of people who surround themselves around people who never tell them the truth... cause if he had, I'm sure at least one true friend would've tell him the book has major flaws!

You don't learn much about the author, you learn less about the business. It's almost like he assumes his readers are total idiots. This is sad; because I'm sure Mr. Howard is a great man, with a lot to teach... and his book did not come across that way... could be the editor.

Here's a suggestion, why not try to write the book again... and this time get a psychologist to assist you to stay focus and REALLY speak from the heart? (Not an insult but an actual honest suggestion)

I would buy it, since I believe he might have something great to say, if he only stop talking long enough to get to the heart of things.

About me: Fulltime successful Creative Director and copy writer for some of the top brands in America, trying to get into film.

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